Interview

Written By Editorial Team

Rachel Williamson

Rachel Williamson is a Melbourne-based visual artist, writer, and educator whose work invites a sense of stillness, wonder, and quiet reflection. Through layered acrylics and delicate watercolours, she explores themes of nature, connection, and the beauty found in ordinary moments. Her practice blends abstract backgrounds with realist overlays, creating a gentle tension that draws the viewer into a story. With a background in English Literature, Art History, and Education, Rachel brings thoughtfulness and depth to both her creative process and teaching. She is the founder of Chazown Creative—a studio space and platform where she shares her art, hosts workshops, and encourages others in their own creative journeys. Rachel’s work has been featured in group and solo exhibitions, online showcases, and community initiatives such as the Incognito Art Show. Whether painting, writing, or teaching, she is committed to creating work that uplifts—offering moments of calm, clarity, and hope in a fast-paced world.

What is your background and how did you start your journey in the art world?

“I’m the artist and founder of Chazown Creative. I was born in Melbourne, Australia, but spent most of my childhood and early adult years in Canada. Creativity has always been a constant in my life — from painting and writing to simply paying attention to the details of the world around me. I studied English Literature and Art History at Wilfrid Laurier University in Ontario, where I developed a deeper appreciation for visual storytelling, symbolism, and the power of words and images to move people. Later, after returning to Australia in my mid-twenties, I completed my teaching degree, driven by a desire to help young people learn, grow, and discover their own voices. Although art was always part of my identity, it took a quieter role during the early years of motherhood. Like many women, I found those early seasons both beautiful and exhausting — full of purpose, but also creatively depleting. As my children grew, I slowly returned to my creative practice, carving out space for painting and writing again. It was in that rediscovery that Chazown Creative was born — a name rooted in the Hebrew word Chazown, meaning ‘vision,’ ‘dream,’ or ‘revelation.’ Since launching in 2020, my work has focused on acrylic and watercolour painting, inspired by themes of nature, connection, rest, and spiritual reflection. I also write and teach workshops, helping others explore creativity in a gentle, meaningful way. My practice is grounded in the values of slow living — making space for beauty, depth, and purpose in everyday life.”

What inspires you?

“I’m deeply inspired by the natural world — the colours, textures, and quiet rhythms of creation. I am particularly drawn to the macro details of flora and fauna, like the beautiful swirls in a roses folding, the soft texture of a deer’s antlers. I find beauty in the everyday: the curve of a leaf, the light in a moment, the gentle connection between people. Animals, landscapes, and the intricate details of nature stir something in me creatively. I’m also moved by human connection — the way we build trust, share stories, and create space for one another. Whether I’m painting, writing, or teaching, my work is rooted in a desire to reflect that beauty and foster a sense of peace, presence, and belonging. My maternal grandmother, and my own mother were poets and often put pen to paper trying to capture similar themes. Simplicity in its glory. The unforced rhythms of grace in the everyday around us.”

What themes do you pursue? Is there an underlying message in your work?

“Throughout my work, several themes naturally emerge that reflect both my inner world and the life around me. Nature is a constant source of inspiration — its colours, textures, and rhythms reveal wonder and beauty that never cease to amaze me. I celebrate the hope and quiet miracles found in the natural world, inviting viewers to slow down and notice what is often overlooked. Connection is also central to my art, not only between people but between humans and the environment. I’m deeply committed to community — leaning in, learning to listen, and respecting others’ stories and experiences. These moments of vulnerability and trust shape my work, as I seek to create spaces that foster belonging and understanding. My art may seem simple on the surface, but it’s grounded in a deliberate choice: to create uplifting works that bring light rather than add to the world’s darkness and pain. In times when despair and fear can feel overwhelming, I want to offer hope, reflection, and peace. I don’t feel the need to contribute more darkness; instead, I’m dedicated to reflecting the light — beauty, joy, and the possibility of renewal. Through painting, writing, and teaching, I hope to inspire others to find moments of presence and meaning, and to remember that even small acts of creativity and kindness can make a difference.”

How would you describe your work?

“My artwork is deeply rooted in my love for nature and the quiet, often overlooked moments that bring a sense of peace and wonder. I primarily work with acrylic and watercolour, layering soft, organic shapes and textures to create compositions that evoke calm and connection. Over time, I’ve been expanding my approach by blending contemporary abstract elements—bold, fluid shapes and a rich mix of colours—as dynamic backgrounds, with realistic objects carefully overlaid on top. This contrast creates a compelling visual dialogue: the abstract layers invite the eye to wander and explore, while the realistic details anchor the piece, telling a story that invites deeper reflection. This marriage of abstraction and realism allows me to balance emotion and narrative, impression and clarity, offering viewers a space that feels both intimate and expansive. The fluidity of the abstract forms mirrors the complexity and movement of life, while the realistic elements bring focus and meaning. My style is gentle, contemplative, and intentional, aiming not only to capture the beauty of the natural world but also to reflect human connection, hope, and presence. Ultimately, my art is a celebration of light and life—a way to inspire moments of pause, reflection, and upliftment. Through this blend of techniques and themes, I strive to create works that speak quietly but powerfully, encouraging viewers to slow down, engage their senses, and find meaning in the layers of colour, form, and story.”

Which artists influence you most?

“Having studied Art History, I’ve been privileged to engage with some of history’s great artists—though mostly from the confines of a university study room rather than the immersive experience of galleries and museums. This perspective deepened my appreciation for the mentorship, legacy, and dedication that artists pour into their craft over time. I have a profound love for Renoir’s work—his soft, tender portrayals of people and ethereal, dreamlike backgrounds tell intimate stories that invite viewers to pause, reflect, and linger a little longer. I’m also inspired by his contemporaries in the Impressionist movement, like Monet’s vibrant, light-filled landscapes, Degas’s dynamic compositions, Pissarro’s atmospheric village scenes, Morisot’s delicate domestic moments, and Sisley’s evocative depictions of nature. At the same time, I deeply admire the precision and detail found in Renaissance portraiture, where artists painstakingly captured both the physical likeness and the inner spirit of their subjects. The skill and patience required to create such lifelike and expressive works is something I hold in high regard, and it influences how I approach balancing realism and abstraction in my own art. More recently, I find myself increasingly inspired by many of my contemporaries and peers, who courageously pursue their creative journeys, building portfolios and businesses with passion and resilience. I’m especially drawn to dreamy landscapes and quiet moments that offer rest and refuge—art that gently invites viewers to slow down, breathe, and find peace amidst life’s busyness.”

“My artwork is deeply rooted in my love for nature and the quiet, often overlooked moments that bring a sense of peace and wonder.”

What is your creative process like?

“I like to think of my creative process as a bit like a roller coaster—full of ups, downs, twists, and turns. I’ve tried to keep a regimented routine, but in a household where I’m managing my children, coordinating daily life, and juggling multiple creative roles, that kind of strict structure just doesn’t work. I’m often multitasking between painting, writing books, teaching workshops, and running classes, so my days tend to be fluid and full of movement between tasks. To stay organised, I rely on sketchbooks for exploring ideas, calendars to manage my schedule, and the sticky notes function on my phone for quick reminders and content planning. If I’m preparing for a workshop, I plan the materials well in advance and round up all the gear I’ll need to be ready for the class. If I’m painting, I often start by researching or photographing my subject, then grid up my canvas or paper and sketch out the composition. Recently, I’ve been enjoying the deeper planning and setup involved in my acrylic work—it’s led to more satisfying end results and a greater sense of creative control. Watercolour, on the other hand, requires more patience. It’s a medium that often demands stepping away and returning to the piece multiple times. You will often find me with coffee in hand and music in my ear as I create. A lot of my practice involves jumping in and out of various projects depending on time, energy, and inspiration. If I find myself feeling bored or frustrated, I’ve learned it’s best to stop, switch to another creative activity, and return later with fresh eyes. This flexible rhythm has become essential to sustaining both my creativity and my joy in the process.”

What is an artist’s role in society and how do you see that evolving?

“This is such a tricky question—one that really deserves deep reflection. The role of the artist in society has changed so much over the past 200, 100, even 20 years. Where artists once trained for years under masters, honing skills in realism and technique, we now live in a time of fast-paced creation, driven by algorithms, likes, followers, and visibility. There’s a real danger in losing the joy of artistry itself—the slow, intentional making of something meaningful—in the race to be seen and celebrated. I’ve also noticed a shift in the kind of art that is elevated in many galleries and exhibitions. Much of it leans into pain, suffering, controversy, and shock value. And while I absolutely believe there should be space for people to express what they’re feeling—even the difficult, raw, or uncomfortable—I don’t think we need to keep adding to the darkness. So often, it feels like being noticed has become more important than being thoughtful. That said, I do love how our broader understanding of art has evolved. We’re beginning to value the creative process more deeply—recognizing the training, time, and materials behind the work. We’re slowly moving away from the old ‘starving artist’ mentality and starting to see artistic work as something that holds both cultural and monetary value. Looking ahead, I’d love to see the role of the artist continue to grow into something even more life-giving. I believe artists can act as watchmen and women—observers of culture, society, and spirit—but rather than becoming cynical or jaded, we have the power to reflect hope. We can challenge, inspire, and call people toward something better. I think the world needs more of that—art that shines a light, rather than adds to the shadows.”

Have you had any noteworthy exhibitions you'd like to share?

“One of the most rewarding experiences in my creative journey was being included in a 2023 collaboration with composer Margin Alexander, where one of my acrylic paintings was chosen as the inspiration for a piano composition. Hearing my visual work interpreted through music was incredibly moving and affirmed the beautiful connection between different art forms. I’ve also had the opportunity to participate in a range of exhibitions, from online solo showcases to local group exhibitions, each offering new insight into the creative arena and how art can connect us in unexpected ways. Exhibiting with the MAVA Collective (Melbourne and Victorian Artists) was a particularly meaningful milestone. I've also taken part in the Incognito Art Show over the past few years—a wonderful initiative that raises funds and awareness for artists with disabilities, and one I’m proud to support. Each exhibition experience, whether large or small, has helped shape my confidence and direction as an artist, and I look forward to continuing to share work that invites rest, reflection, and connection.”

 
Editorial Team
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