Interview

What is your background and how did you start your journey in the art world?

“My journey into photography began as a hobby, rooted in a longstanding interest in art and graphic design. I have always been drawn to the creative process and to the idea of transforming an ordinary subject into something visually meaningful. In 2015, I was able to purchase my first camera and began taking courses in macro photography and the study of details. Those courses encouraged me to look more closely at the world around me and to appreciate the beauty found in subtle textures, forms, and moments. That exploration eventually led me to discover the beauty of pregnancy and the experience of women during this transformative stage of life. I became interested in photographing pregnancy in a more natural environment, particularly at the beach, where I created my first maternity session. The experience captivated me—not only because of the beauty of the images, but because of the creative techniques I was able to explore. It made me want to continue learning and creating.
In 2016, I moved to Ecuador, where photography gradually transformed from a hobby into my full-time profession and primary source of income. During that period, I entered the world of wedding photography and was also introduced to the extraordinary experience of photographing newborns. That moment changed the direction of my work. The arrival of a baby, the tenderness of those first days, and the emotional connection between parents and their children deeply moved me. I found a kind of love and creative fulfillment in newborn photography that I had not experienced before. Since then, I have continued developing my work in newborn, maternity, and family portraiture, while exploring photography as both a profession and an artistic language.”

What inspires you?

“I am inspired by the beauty of human connection, particularly the relationship between mothers and their children. Motherhood, pregnancy, childhood, and the first days of life contain an extraordinary combination of vulnerability, strength, tenderness, and transformation. These experiences are deeply personal, yet they are also universal, and I find that balance very compelling. I am also inspired by the details that often go unnoticed: a small gesture, the way a mother holds her baby, the texture of a newborn’s skin, or the quiet expression of a child. My early interest in macro photography taught me to observe these details, and that way of seeing continues to influence my work. Nature is another important source of inspiration. I am drawn to natural environments, organic textures, and the way light can create an atmosphere that feels both intimate and timeless. Becoming a mother myself has also changed the way I understand these subjects. It has made me more aware of how quickly childhood passes and how meaningful it is to preserve the moments that might otherwise exist only in memory.”

What themes do you pursue? Is there an underlying message in your work?

“My work explores motherhood, childhood, identity, memory, roots, and the emotional connections between generations. I am particularly interested in the relationship between vulnerability and strength. Newborns and children may appear fragile, but the images I create often reveal the strength of the relationships surrounding them—the love, protection, history, and sense of belonging that shape their beginnings. Motherhood is also a central theme in my work. I am interested in portraying it not only as a beautiful experience, but as something deeply human and transformative. Another recurring theme is the passage of time. Childhood changes so quickly, and photography allows us to pause those changes. But beyond documenting a moment, I want to explore what that moment represents. A photograph of a mother holding her child, for example, can speak about much more than the present. It can evoke ancestry, protection, belonging, and the continuation of life. Ultimately, I hope my work reminds viewers that the most meaningful stories are often found in the relationships we inherit, the memories we create, and the love we carry forward.”

How would you describe your work?

“I would describe my work as intimate, emotionally driven, and carefully composed. My background in newborn and family portraiture has taught me to pay close attention to gesture, expression, texture, light, and the relationship between the subjects. I am interested in creating images that feel visually considered, while remaining connected to the emotion of the moment. There is a balance in my work between simplicity and symbolism. I often prefer a restrained visual language that allows the subject and the relationship between the people in the image to remain central. At the same time, I enjoy creating conceptual portraits in which the setting, objects, and visual elements contribute to a deeper narrative. Whether I am photographing a newborn, a mother and child, or a family, I want the image to communicate something beyond appearance. I want it to preserve a feeling, suggest a story, or reveal a connection.”

Which artists influence you most?

“Three photographers who have particularly influenced my work are Anne Geddes, Kelly Brown, and Ana Brandt. Anne Geddes introduced me to the extraordinary creative possibilities of newborn photography. Her ability to transform the early stages of life into carefully constructed visual stories showed me that images of babies could be both meaningful and artistically expressive. Kelly Brown has influenced me through her approach to newborn portraiture, particularly her understanding of posing, composition, and the importance of creating images that feel intentional while respecting the individuality of each baby. Ana Brandt has also been an important influence. I admire her ability to combine technical expertise with an emotional and artistic approach to maternity and newborn photography. What I find most inspiring about these artists is that they have developed recognizable visual languages while demonstrating that newborn and maternity photography can be approached with creativity, depth, and artistic intention.”

What is your creative process like?

“My creative process usually begins with an idea, an emotion, or a visual question. Sometimes, I begin with a specific image I imagine. Other times, it is a feeling I want to communicate or a story that I believe deserves to be explored. From there, I consider the composition, the light, the environment, the textures, and the elements that can help communicate that idea. I enjoy creating with intention, but I also believe photography requires sensitivity and flexibility. This is especially true when working with newborns and children. Their presence cannot be completely controlled, and some of the most meaningful moments happen when I allow space for spontaneity. I try to create an environment where the subject can exist naturally within the image, while I remain attentive to the visual and emotional details. My early studies in macro photography also continue to influence the way I work. I am drawn to small details and often find that a gesture, a texture, or a subtle interaction can carry as much meaning as the overall composition. As a mother and photographer, I have also learned the importance of patience. Sometimes the most powerful image is not the one that happens immediately, but the one that emerges when we allow a moment to unfold. For me, the creative process is a balance between preparation, observation, and trust.”

What is an artist’s role in society and how do you see that evolving?

“I believe artists have the ability to make people pause, question, remember, and see something from a different perspective. In a world where images are constantly produced and consumed, I think the role of the artist is not simply to create something visually appealing, but to create something meaningful. Photography has the particular ability to preserve personal and collective memory. It can document experiences, challenge perceptions, and give visibility to stories that might otherwise remain unseen. For me, this is especially relevant when photographing motherhood, childhood, and family. These experiences are universal, but they are also deeply personal and often underrepresented in their full complexity. I believe the role of the artist continues to evolve as technology changes. With the accessibility of photography and digital tools, the challenge is not only how to create an image, but how to develop a distinct voice and a meaningful perspective. I hope my work can contribute to that conversation by creating images that are both personal and capable of connecting with others.”

Have you had any noteworthy exhibitions you'd like to share?

“My photographic journey has developed through commissioned portraiture, personal artistic projects, publications, and the continuous exploration of motherhood, childhood, and family as subjects of artistic expression. In 2026, I participated in the collective exhibition Art of Breastfeeding in North Miami Beach, Florida. This exhibition was particularly meaningful to me because it brought together artistic perspectives on breastfeeding and motherhood, allowing these experiences to be explored through photography as both personal expression and a broader cultural narrative. I have also had the opportunity to see my work featured in several publications, including:
• NRDE — The Podcast Book, by Jean Mary Curro and Alex Goncalves, June 2021. • Lensational Model & Photographer Magazine, Issue 113, Mix and Match, September 2021.
• Bump, Baby & Beyond Magazine, Issue 34, 2022. My work has also received recognition through international photography awards, including:
• 35Awards — Newborn Photography Contest, Top 6%, Moscow, Russia, 2023.
• 35Awards — International Photography Award, ninth edition, Top 10 Photographers in Quito, Ecuador, June 2024. These experiences have encouraged me to continue developing my work beyond commissioned portraiture and to explore more conceptual narratives around motherhood, identity, memory, and the relationship between generations.”