Interview
Eddie Jiminez
Eddie Jiminez AKA Eddie Corona is an artist and graphic designer originally from Fort Worth, Texas, though he’s lived all over the U.S. due to his father’s career in construction, which kept the family on the move. They eventually settled in Ohio in 1990. At the age of 14, Eddie entered the UNICEF Christmas card contest and was named runner-up, an experience that sparked his deep passion for art. He later pursued graphic design and fine arts at the University of Cincinnati, honing his skills and broadening his creative horizons. Over the years, Eddie has developed a distinctive style, blending pop art, street art, and logo mashups—what he refers to simply as “art.” His work draws heavy inspiration from the world of street art, from the slapstick stickers and guerrilla designs to the ubiquitous advertisements we see every day. Eddie is passionate about incorporating these elements into his own creative expressions, creating art that resonates with both the street culture and fine art communities
What is your background and how did you start your journey in the art world?
“My interest in art began at a young age, around 11 years old, when I was heavily influenced by PBS programs like Bob Ross and The Secret City. Those shows sparked my curiosity and encouraged me to experiment with different creative techniques. I would often try to recreate what I saw whether it was Saturday morning cartoons or newspaper comics which helped me develop my foundational skills. Over the years, that curiosity evolved into a deeper exploration of various artistic mediums, including painting, sculpture, and eventually digital art. Each phase of that journey allowed me to expand both my technical abilities and creative perspective. Today, I consider myself more than just a graphic designer or traditional artist. I see myself as a versatile creator. I enjoy working across multiple mediums and embracing any creative outlet that allows me to bring ideas to life.”
What does your work aim to say? Does it comment on any current social or political issues?
“My work is largely influenced by elements of pop culture, which serve as a primary source of inspiration and visual language. While I don’t typically focus on political subject matter, I am often influenced by the cultural and social landscape around me. I draw particular inspiration from advertising, billboards, and product packaging areas where design and messaging intersect in compelling ways. I’m fascinated by how familiar visuals can be recontextualized and transformed. By blending diverse elements into a single composition, I aim to create pieces that feel both dynamic and cohesive. This process often results in a balance between chaos and structure, where contrasting ideas come together to form something entirely new, visually engaging, and thought-provoking.”
Do you plan your work in advance, or is it improvisation?
“My creative process is a balance between planning and improvisation. I typically begin by researching a central subject and identifying visual elements that will both complement and draw attention to it. From there, I explore related imagery and themes that can enhance the work, sometimes incorporating subtle details or layered references that add deeper meaning. As the piece develops, I experiment with different styles, color palettes, and compositions to create a cohesive and visually engaging result. While there is a structured foundation, I allow room for spontaneity, which often leads to unexpected and compelling outcomes. Depending on the concept, I may choose to execute the work digitally or incorporate a mix of mediums, such as screen printing and spray paint, to achieve the desired texture and impact.”
Are there any art world trends you are following?
“Yes, I actively follow a range of trends across the art and design world, from street artists to poster designers and apparel brands. I draw a great deal of inspiration from the raw, expressive nature of street art and graffiti, as well as the nostalgic appeal of vintage graphic design, particularly in apparel. I’m especially interested in how these styles continue to evolve and influence one another. The constant shift in visual trends keeps the creative landscape exciting and pushes me to stay adaptable in my own work. Social media has become an essential tool in this process, allowing me to discover new artists, emerging styles, and global trends that continue to shape and inspire my creative approach.”
What process, materials and techniques do you use to create your artwork?
“My creative process is rooted in research, observation, and material exploration. I often begin by sourcing inspiration from physical materials such as vintage magazines, books, and archival content I’ve collected over the years. I frequently visit local libraries as well, as they offer unique references that aren’t always accessible online. My collection ranges from childhood books to contemporary publications, all of which contribute to shaping my ideas. I also draw inspiration from my surroundings. Walking through historic towns or urban environments allows me to observe both old and modern forms of visual communication advertisements, posters, and even stickers found in unexpected places like street signs or utility boxes. These influences inform how I approach composition and technique, whether I’m working digitally or incorporating physical methods. My goal is to translate these collected visuals and experiences into layered, engaging pieces that reflect both nostalgia and contemporary culture.”
What does your art mean to you?
“My goal is for my work to spark conversation and curiosity. I want people to engage with it, to look beyond the surface, and to discover details or messages they might not notice at first glance. Ideally, each piece continues to reveal something new over time, encouraging ongoing exploration and thought. While I may never become a widely recognized contemporary artist, I hope that my work endures remaining accessible, thought-provoking, and capable of inspiring curiosity and dialogue for years to come. If it can achieve that, I feel I’ve accomplished something meaningful.”
What’s your favourite artwork and why?
“One of my favorite pieces was inspired by a photo a friend shared years ago. It featured her daughter dressed in a sugar skull costume and elaborate dress for an event. I don’t recall the exact occasion, as it wasn’t during Halloween, but what struck me was her expression and posture there was a profound mix of sorrow and quiet defeat. I felt compelled to capture that emotion in a painting. While I initially considered keeping it, I ultimately wanted to share the piece and gave it to my friend as a thank you for sharing that moment online. Today, it hangs in a shop in Cincinnati, Ohio, and it remains one of my most meaningful works because it encapsulates a raw, human emotion that resonated deeply with me.”
Have you had any noteworthy exhibitions you'd like to share?
“It’s been a while since I participated in an exhibition, but one that stands out is my first show. I was part of a larger exhibit called Wax Nostalgic 1994, which celebrated the year 1994. It was hosted at BLDG in Covington, Kentucky, alongside several well-known local artists. The experience was incredible. My piece featured Kurt Cobain, incorporating various cultural and historical elements from that year, including the O.J. trial and the World Cup. To my delight, my work sold within minutes of the show opening to the public. The only record I could find now is a clip from a news segment promoting the event, but the experience of being part of such a dynamic exhibition has stayed with me ever since. I think it might be time for me to revisit and do another exhibit, now that I think about it?.”
Website: eddiejiminez.myportfolio.com
Instagram: @eddie_corona_artist
Brush Bio: brush.bio/eddiecjiminez
