Interview
Cristian Diez Sanchez
Cristian was born in Santiago, Chile. He grew up working with copper in his family's arts and crafts business, which introduced him to the world of sculpting. After completing five years of academic studies in architecture, he moved to Barcelona in 1976. Initially, he started working as a designer to make a living in Barcelona. This brief stint in design evolved into a 30-year career where he worked in various roles, including industrial designer, graphic designer, and image consultant. he also worked on housing renovations for several years and managed a website for tourist apartments. In 2014, he realized it was time to bridge the gap between his arts and crafts background and his desire on sculpture. He embarked on a new path as a self-taught apprentice in sculpture, primarily using cardboard and recycled materials, which were cost-effective for creating prototypes.
His goal in sculpture has always been to create large-scale exterior sculptures. He then realized that all the preparation work carried out was directed towards a project that would give meaning to their interests. And the Urban Sculpture Project started taking shape. The Urban Sculpture Project aims to extend the sculpture in all directions so that it can reach corners where live art has never been seen. A way to extend culture by outsourcing art from the closed circles where it moves. Placing sculptures without barriers that can serve as company in dehumanized cities Sculpture in the street is culture. Art as a tool to equate inequality.
What is your background and how did you start your journey in the art world?
“My life reflects a compelling journey of transformation, resilience, and the intersection of art and life. Growing up in Santiago de Chile within a conventional middle-class family, my introduction to metals at a young age became a significant turning point, evolving from a familial hobby into a business venture due to challenging circumstances at home. My commitment to creating distinctive copper objects not only contributed to sustaining the family with our work but also ignited a passion for innovation and uniqueness in my work. Amidst the complexities of family challenges, I did find great solace and creativity in metalwork, exploring new dimensions and pushing the boundaries of conventional craftsmanship. As the business prospered, my foray into architecture further expanded my perspective, blending the artistic with the functional. The confluence of my studies in architecture and my hands-on experience with metalwork allowed me to keenly observe human behavior, movement, and expression, influencing my artistic sensibilities. However, the political upheaval in Chile brought about a significant change in all of our lives, which for me meant prompting a relocation to Barcelona. The challenges of adapting to a new environment and the need to secure a livelihood temporarily displaced the prototypes of the sculptures, yet the essence of the creative journey endured in other aspects. The narrative of my life captures a dynamic interplay between personal, artistic, and socio-political dimensions, forming a rich tapestry that has undoubtedly shaped my unique perspective as an artist and observer of the human experience.”
What inspires you?
“The artistic philosophy that encapsulates the essence of the human experience and the myriad of emotions that shape our lives are the principal lines that my work looks at. The intentional focus on the human figure as a central theme in the work serves as a profound exploration of the complex tapestry of emotions, movements, and stories that define our existence. The deliberate organization of the sculptures into series reflects a thoughtful and systematic approach to expressing the nuances of the human condition. The commitment to a planned thematic series is a conscious effort to delve into various aspects of life and emotion. From abstract interpretations to more recognizable contemporary figures, each sculpture within a series serves as a unique study, offering viewers multiple layers of interpretation. The dynamism in the work, ranging from static figures to those exuding great movement and liberty, further emphasizes the breadth of human experience captured in the work. What needs to be emphasized is the need to navigate the spectrum of human emotions, seamlessly weaving together moments of joy, sadness, pleasure, and pain. The juxtaposition of contrasting situations, such as dancing and torture, health and illness, reflects a keen awareness of the complexities inherent in the human narrative. The sculptures become a visual narrative, inviting viewers to engage in a deeper exploration and uncovering different emotions with each subsequent gaze. In essence, the work transcends the boundaries of mere sculpture, evolving into a contemplative and evocative journey through the multifaceted aspects of what it means to be human. The deliberate and thoughtful approach to my work invites viewers to not only appreciate the aesthetic beauty of each piece but also to connect with the profound and diverse range of emotions embedded within the sculptures.”
What themes do you pursue? Is there an underlying message in your work?
“The thematic exploration within the body of my work showcases a profound and multi-dimensional examination of the human experience. The diversity of the series reflects a keen awareness of the various lenses through which one can perceive and understand the intricacies of human life. The series focusing on the human figure itself, such as "Studies of Human Head," "Studies of Human Bodies," “A Giacometti," and “HEADS,” demonstrates a commitment to dissecting the anatomy and form, offering viewers a closer look at the intricacies of the human physique. The incorporation of perspectives from artists like Giacometti adds a layer of historical depth to the exploration. This work of revising the perspectives of other artists, classic and modern, is a constant in the work in general. Artists to be mentioned are Goya, Velazquez, Picasso, and others. The themes that delve into human interaction and relationships, as seen in "Inmovement," "Confussion," "Ensemble," and "Living Together," provide a dynamic portrayal of the interplay between individuals. These series not only capture movement and connection but also hint at the complexities and challenges inherent in human relationships. The exploration of how to perceive or be perceived by others is evident in series like "Meninas," "Harlequins," and "On the Catwalk. The inclusion of "God’s will or the madness of man" speaks to a critical examination of the darker facets of human behavior, reflecting on abuse and mistreatment while also getting close to political intervention. The sporadic appearance of spare figures and the creation of the "Doors to Hell" series, born out of leftover materials, showcase a creative fluidity and a willingness to embrace unexpected inspirations. It's the expression of the ability to find art in the seemingly mundane and turn it into a meaningful expression. Having ongoing themes waiting for their moment reveals a continuous and evolving exploration of emotional experiences. The dual perspective that it emphasizes—the first look from the outside and the second look delving deeper into the character—adds layers of complexity to the work. This nuanced approach encourages viewers to engage not only with the aesthetic elements but also with the profound emotional landscapes embedded in each sculpture. Overall, the work serves as a wide expression of the rich tapestry of human existence and the intricate emotions that shape our shared journey.”
“The artistic philosophy that encapsulates the essence of the human experience and the myriad of emotions that shape our lives are the principal lines that my work looks at.”
How would you describe your work?
“My commitment is to create large-scale sculptures, and actually all the work done during these years, except for some tests or experiments, is a collection of prototypes, primarily built with cardboard, that serves as a visionary exploration of the potential impact of sculptures when placed outdoors. By envisioning my work in significant dimensions and situated in urban environments, I not only challenge traditional norms but also advocate for a revival of sculpture's cultural significance.. My concern for the state of contemporary art resonates, particularly in a landscape where art struggles to find meaningful spaces in public discourse. My critique of sculptures relegated to either small, elite circles or massive, temporary installations underscores a broader issue in the current art scene. The idea of bringing culture to the streets through permanent, thought-provoking sculptures suggests a desire to reestablish a tangible and lasting connection between art and the public that actually doesn’t exist. This has also made me commit myself to a project. In this world where the rapid pace of change often overshadows the value of cultural elements, my work is directly connected to the Urban Sculpture Project to emerge as a beacon, urging for a renewed integration of art into the fabric of everyday life. By proposing sculptures that can endure in outdoor spaces, I want to contribute to the conversation about the importance of making art an integral part of our communal experience.
As my project challenges the prevailing trends in contemporary art, it also opens up avenues for reimagining public spaces as forums for cultural expression and dialogue. The Urban Sculpture Project, with its focus on permanence and cultural resonance, carries the potential to redefine the role of art in the public sphere and foster a richer, more accessible cultural landscape. The conception of the Urban Sculpture Project looks for a refreshing perspective on the role of art in public spaces, drawing inspiration from historical contexts where sculptures played a vital role in enriching cities and transmitting culture. The Urban Sculpture Project, as described, represents a powerful and meaningful initiative that seeks to bridge the gap between art, culture, and the broader public. Here are some key points to highlight about this project: Social Relevance: The artist's work is deeply rooted in personal experiences and a profound awareness of social issues, particularly the injustice faced by the less privileged and the lack of educational opportunities for them. This grounding in real-world problems gives the art a strong sense of purpose and relevance. Art for All: The project's core philosophy revolves around the idea that art should not be confined to galleries and fairs, but should instead be integrated into the public space. By placing sculptures in the streets where people pass by every day, the project aims to make art accessible to everyone, regardless of their background or socio-economic status. Cultural Integration: The project envisions art as an integral part of urban environments, just like any other urban element. This integration helps foster a sense of culture and creativity in cities, making them more vibrant and humanized.
By placing sculptures in the streets rather than traditional gallery spaces, the project aims to make art more accessible to the general public. This approach can break down barriers that often exist in the art world, making culture and artistic expression available to a broader and more diverse audience. Integrating the sculptures into the urban environment as "urban elements" is a clever way to make art a seamless part of everyday life. This approach can foster a sense of connection between art and the community, blurring the lines between the two. By extending sculptures into areas where live art has never been seen before, the project aims to break down barriers that often limit access to art. It promotes inclusivity by providing company and inspiration in areas that might otherwise feel dehumanized. The phrase "One sculpture in the street, one step in culture" encapsulates the project's goal of using art as a means to address social inequalities. By placing art in public spaces, it not only enriches the cultural landscape but also serves as a tool to promote equity and equality. Art has the potential to spark important conversations and raise awareness about social issues, ultimately contributing to positive change. Cultural Enrichment: The Urban Sculpture Project recognizes the transformative power of art in enriching culture and society. It seeks to extend culture beyond closed circles and make it accessible to all, thereby contributing to a more cultured and enlightened society. In essence, the Urban Sculpture Project represents a meaningful effort to use art as a force for cultural enrichment and social change. It seeks to bridge gaps, challenge injustices, and bring art to the people, ultimately aiming to create a more inclusive and equitable society through artistic expression. It strives to create a more equitable and culturally vibrant society by bringing art out of exclusive spaces and into the public realm, where it can inspire, educate, and provoke thought among a diverse audience.”
Which artists influence you most?
“The weight of the Mediterranean culture, with its historical treasures, is palpable in my artistic journey, and the luminaries—from Da Vinci and Michelangelo to Velazquez and Goya—underscore the profound impact of the artistic legacy that surrounds me. The 20th-century trailblazers I cite, such as Picasso, Calder, Miro, Mark Rotko, Francis Bacon, Giacometti, Rodin, and Henry Moore, speak to a wide-ranging and eclectic set of inspirations. Each of these artists has left an indelible mark on the art world, contributing distinct styles and perspectives that have undoubtedly influenced the evolution of my own work. It's intriguing to note how even artists outside my core favorites, like Peter Paul Rubens, have made their mark, as seen in my reversal of his painting of the Three Graces. This willingness to draw inspiration from a broad spectrum of artists and periods allows for a dynamic and open-minded approach to creativity. The engagement of Picasso's with African painting as a well-known example of artistic cross-pollination echoes the idea that art is a continuous dialogue across cultures and time periods. The influence of past masters and the resonance of certain images stored in my mind have contributed to adding layers of meaning and depth to my work. In essence, my journey is a testament to the interconnectedness of artistic heritage, where the past becomes a wellspring of inspiration and a foundation upon which new expressions can be built. By embracing this diverse range of influences, one can contribute to the ongoing narrative of art, adding a unique voice to the ever-evolving conversation.”
What is your creative process like?
“My artistic process is a dynamic and responsive journey that reflects what affects me more than the world around me. The diverse sources of inspiration, ranging from everyday observations in the streets, bars, or restaurants to images and videos on the phone, showcase a continuous engagement with the human experience in various contexts. The incorporation of news and current events as catalysts for the creative process underscores the responsive nature of the work, allowing it to be a reflection of the times. The approach varies and adapts to the images that disturb my mind. The need to respond to feelings during the pandemic that completely changed my work can speak to the emotional depth embedded in my work. This ability to channel emotions and experiences into my work adds another layer of creativity. The transition from concept to creation involves a balance of quick, instinctive work and, at times, the necessity for preparatory diagrams. This dynamic interplay between spontaneity and deliberate planning allows for a fluid exploration of ideas, ensuring that the essence of the concept is captured and brought to life in the prototype. The utilization of technology, such as working with the computer to digitize figures for large pieces, is the integration of traditional craftsmanship with contemporary tools. This combination not only facilitates efficiency but also opens up new possibilities in terms of scale and precision. Collaborating with industrialists and foundries further highlights my willingness to engage with different processes, allowing my vision to manifest in various forms. Overall, the process shows the fluidity and adaptability required in navigating the creative journey. It reflects a harmonious blend of intuition, observation, and technical proficiency, resulting in sculptures that resonate with the ever-changing landscape of human emotions and experiences.”
What is an artist’s role in society and how do you see that evolving?
“I do have a real concern about the current state of artists and the art world, where the pursuit of financial success often overshadows the genuine impact on society. The proliferation of individuals claiming the title of "artist" without contributing meaningful work further complicates the landscape. The advent of computer programs, while providing powerful tools for creativity, has also led to a dilution of artistic authenticity and a commodification of the creative process. The artists should have a clear call for daily work and a continual effort to maintain creativity, reflecting a commitment to the craft and the importance of consistent practice in refining one's artistic voice. The artist's need to remember to stay critical, avoid complacency, and resist conforming to societal expectations underscores the importance of preserving artistic integrity. The contemporary art scene has become more commerce-driven by market forces and the challenges artists face in being able to balance creative expression with financial sustainability. The fight for recognition and access to privileged spaces is a reality that many artists face and can very easily succumb to. That feeling of having arrived at Walhalla makes the artist lose his sharp eye and revel in the pleasures of being within the circle that dominates the market, where everyone ends up doing more or less the same thing. This conformity can stifle innovation and limit the diversity of artistic voices, ultimately hindering the growth and evolution of the contemporary art scene. Artists must strive to resist these pressures and maintain their unique perspectives, pushing boundaries and challenging societal norms to create truly impactful and meaningful art. Only by preserving their artistic integrity can artists continue to inspire, provoke, and shape the cultural landscape for generations to come. Something that needs to be remembered is to contemplate the endurance of artists over time, hinting at the enduring legacy that true artistic visionaries leave behind. As the art world evolves, only time will reveal the artists who withstand the test and leave a lasting imprint on the collective consciousness.”
Have you had any noteworthy exhibitions you'd like to share?
“For the moment, even though I have participated in different collective exhibitions in prominent art cities such as New York, Paris, London, Venice, Rome, Milano, and Monte Carlo, as well as other minor cities, showcasing my work on an international stage has not given me the satisfaction that could be implied. My greatest joy comes from seeing my works in situ, outdoors, in different locations around the world. The fact that my sculptures are now gracing diverse places, each with its own unique characteristics and atmosphere, adds a layer of richness to my journey. The process of collaborating with different industrials in various locations, from Barcelona to Mallorca and Santiago de Chile, contributes to a global network of creative exchanges. The expansive geography of my exhibited works, spanning kilometers between locations, transforms the exhibition space into a worldwide canvas. The desire to continue placing my work in different outdoor settings, to learn from varied experiences, and to share my creations with an even broader audience speaks to my ongoing commitment to artistic exploration and connection.”
Instagram: @sculptures_cristiandiez
Brush Bio: www.brush.bio/cristian-diez-sanchez
