Interview

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What is your background and how did you start your journey in the art world?

“I knew then, I wanted to be an artist. My art journey started at an early age 4. Born in Australia to Italian and Maltese parents. My mother was a professional dress maker and came from generations of embroidery teachers and furniture makers. During the working week, my father worked in an office for the law department in Melbourne. At home he was considered the ideal handyman, multi skilled with a well-equipped shed, he fixed and built anything and everything. He recycled objects and gave them a new life. From a very early age, I was exposed to art and design, delving and dabbling with materials, tools and equipment. At the age of 4 there was no question I wanted to be an artist. I knew then, I wanted to be an artist. Creating art nourishes my imagination, heart and soul. Creating art is not just a passion, It’s a necessity and way of life. Gardens, animals and insects are a fascination and contribute to my artistic ideas and inspiration. I am curious abouts textures colours and forms, including habitats, breeding habits and predatory ways. After secondary school and I following my heart, I completed 2 university degrees, one at Melbourne College of Advanced Education, (Melbourne University) and the other at RMIT, (Royal Melbourne Institute of Technology). I was like a child in a candy store. I was with my tribe, exposed to new skills, looking, assessing, and thinking of new way to expression concepts. I was feeding my addiction which was the need to create and express who I was and what I was about through my art. While teaching art fulltime, I furthered my studies by doing a Masters in Fine Art, RMIT. I have exhibited in many group shows and had a number of solo shows, attained accolades, and my work is scattered internationally. I can’t say the art journey has been easy. However, I have followed my heart and feel nourished to have a deep love of art.”

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What inspires you?

“This is a huge question with so many responses. I’m inspired by themes around social and behavioural connections, elements and changes in the environment and the forces of nature. My paintings ‘Magpie,’ ‘Sparrow,’ ‘Jill,’ and ‘Rosie’ are reflective of social attitudes, trends, environmental changes and pressures in life. Inspired by human nature and a one-sided love affair, the painting ‘Magpie,’ depicts a lovable intelligent Australian bird perched on top of a floating iceberg. This painting is about deception. The imagery plays with scale, leaving the viewer perplexed and perhaps confused about whether this is a massive bird or a tiny iceberg. Below the waterline, is a larger portion of the iceberg submerged. The mass of ice lying beneath the surface is obscured, symbolising the uncertainty of relationships.
In my painting, ‘Sparrow,’ I comment on social and environmental issues. This painting depicts a crouching child with a bird's head, specifically resembling a sparrow. The figure's pose is hunched, and their gaze is directed towards the viewer, however, there's a sense of distance or detachment. This surreal painting comments on the quick rapid transition, from childhood to adulthood and the connection with the disappearance of the little social feisty bird we nostalgically use to see in the suburbs. This transition concept is further emphasized and symbolized by the Saunders Case moth cocoon dangling from the string.
Social and environmental references are also portrayed in my paintings, ‘Jill’ and ‘Rosie.’ Both paintings have female hares with human bodies, as central figures in the composition. ‘Jill’ blends realism and surrealism to create a slightly unsettling image of a female hare staring at the viewer whilst holding an iPad to take selfies. The work explores themes of identity, conformity and the lack of authenticity. The painting, ‘Rosie’ has connections to the bubonic plague and the rhyme, Ring a Ring a Rosie. Images of rabbits and hares are a dominant element in the foreground and scattered in the background. In the distance you can find a man with a gun surrounded by rabbits, trying to protect his family and surroundings from invasions and disease. The central figure, Rosie, wears a mask in protection and relived to be comfortably hiding her identity. A network of lines accentuates the extent of the travesty of disease around the world, while the haunting masks and dark grey clouds emphasise the feeling of isolation and melancholy. I have a deep connection to my environments and representing the forces of nature is an ongoing inspiration in my work. Landscapes such as the bush, forests, rivers, and beaches are undeniably beautiful, however, they carry an underlying sense of danger and mystery. Haunting mysterious landscapes are used as backdrops or are an essential focus to my paintings, where huge overpowering skies and forbidding clouds capture the drama and hostility the of the landscape. Often including water and reflections, and void of people, my landscapes act as a reflective space for the viewer to immerse themselves. Many of my paintings, incorporate representations of family members, friends, animals, and insects. These elements: especially animals and insects, fuel my narratives and visual expressions.”

What themes do you pursue? Is there an underlying message in your work?

“Themes and messages are prominent in my work. In general, I explore surrealist and symbolic concepts with elements of realism. In ‘Jill,’ themes and messages relate to identity, conformity, self-representation, authenticity. This painting explores how we define ourselves in the modern world. By blending human and animal traits, it questions the nature of identity, suggesting it's fluid and shaped by social pressures. The use of technology, like taking selfies, highlights how we present ourselves online and the potential loss of individuality as we try to fit in. The surreal imagery creates a sense of unease, prompting viewers to consider the authenticity of self-representation in our tech-driven culture and the potential disconnect from both our true selves and the natural world. Ultimately, I hope my work critiques social media's influence on identity and encourages reflection on how we navigate the complexities of self in a digital age. The painting suggests a tension between the desire to present a certain image to the world and the underlying reality of one's true self. I want the ‘Jill,’ to serves as a thought-provoking commentary on the complexities of identity in the modern world.
The painting, ‘Sparrow,’ acknowledges themes relating to transition, transformation, environmental changes, loss and nostalgia. The sparrow itself, a disappearing presence in the suburbs, symbolizes environmental degradation concerns linked with the fading away of childhood experiences due to pressures of adult life. A cocoon further emphasizes the theme of transformation, where over time, lifestyles are no longer what they use to be. The sol figure confronts the viewer to think about their actions, to consider the fleeting nature of childhood, the environmental impact of our progress, and the kind of world we are shaping for future generations. It prompts us to examine, how the past shapes our perception and hints nostalgic references to the longing of a more relaxed way of life where childhood and nature felt more accessible.
‘Magpie,’ relates to Relationships: The imagery incorporates themes of Perception, One-Sided Love/Uncertainty Human Nature and Emotional Investment. The precarious position of the magpie highlights the risks associated with unrequited love. Investing in a relationship where the feelings are not reciprocated can lead to hurt, disappointment, and a sense of instability; much like the magpie on the floating iceberg. The floating iceberg becomes a metaphor for emotional vulnerability. Putting our hearts ‘out there’ in love is risky, and the painting suggests that sometimes the foundations we build our hopes upon may be as fragile and unstable as a floating piece of ice. The ambiguity of scale; a large bird or a small iceberg, plays with the viewer's perception or lack of recognition. This disorientation mirrors the confusion and uncertainty often experienced in love, particularly when one's perception of the relationship doesn't align with reality. It emphasizes the idea that appearances can be deceiving and alludes to growth when taking risks.
The painting, ‘Rosie,’ uses the historical context to explore themes of disease, protection, identity, isolation, and survival. Messages of fear, isolation and disruption are met with ‘network of lines’ symbolizing the global impact of such events and reminding us that no one is truly safe or untouched. While the painting emphasizes the negative aspects of disease and crisis, the presence of the man protecting his family also hints at resilience and the instinct for survival; a drive to persevere and protect what is valued. The loss of identity and disruption is accentuated by the dark sky, haunting masks and imagery of scattered rabbits and a man with a gun trying to protect his own. Like many of my paintings, the overall tone and imagery of the painting communicate the fragility of existence, reminding viewers of the precariousness of life and how easily it can be disrupted by uncontrollable events.”

How would you describe your work?

“As a traditionally trained artist, my work is a blend of traditional and contemporary approaches. While I love to exploration and experiment, traditional materials and techniques always form the backbone of my artwork. The subject matter often includes whimsical, surreal, and emotionally charged environments or figures that spark my thought. The themes I explore are reflective, and unsettling, occasionally with a touch of humour and quirkiness. In my work, the melancholy is coupled with a sense of solitude and introspection. Muted colour palettes and isolated figures create, turbulent waters and heavy clouds add to the isolation, mystery sense of danger and excitement. Surreal imagery, symbolism and realism with elements of the unconscious play a key role in my work, providing layers of meaning that invite the viewer to explore deeper interpretations. I aim to blur the lines between the conscious and unconscious, inviting viewers into a space that feels both familiar and unfamiliar, where each piece reflects contemporary issues such as identity, personal transformation, and humanity's connection with nature to challenge reality and focus and the relationships to the world around us.”

Which artists influence you most?

“I draw inspiration from many sources, but there are certain artists whose work deeply resonates with my process, themes, and techniques. Historical figures such as Constable, Turner, Caravaggio, and Goya, along with more contemporary artists like Booth and Ken Unsworth, have had a profound impact on me. Additionally, movements like Surrealism, Expressionism, and Neo-Expressionism have played a crucial role in shaping the direction of my work. The Romantic painters, Turner and Constable, taught me to see nature not just as scenery but as a powerful force that can evoke a wide range of emotions. Their portrayals of nature, from the sublime to the serene, have shaped my understanding of the natural world and its profound influence on the human psyche.
In my own work, such as ‘Sparrow,’ ‘Jill,’ and ‘Rosie,’ I utilize light and symbolism to create distinct emotional atmospheres. The soft, diffused light in ‘Sparrow’ invites contemplation, while the harsh, unsettling artificial, almost screen light in ‘Jill’ reflects the distortions and impact of online reality. Like Caravaggio, I am fascinated by the expressive potential of light and use of symbolism. I love his dramatic use of chiaroscuro and the use of symbolism to intensify the emotional impact of the scenes. Turner and Constable's use of light to convey mood and atmosphere in landscape painting has also been a profound influence. Turner's ability to capture the awe-inspiring and often terrifying power of nature, through massive luminous skies and shimmering or turbulent water is something I strive for in my own landscapes. However, not all images require dramatic lighting or harsh conditions. Constable’s, skies and more intimate use of light creating a quiet connection with the natural world, also resonates with my artistic sensibilities. Just depend on what I am painting and what I want to project.
Goya's exploration of the darker aspects of the human psyche, his willingness to confront difficult emotions like despair and disillusionment, has had a significant impact on my work. His etchings and his ‘Black Paintings,’ with their haunting figures, monsters and expressive and unsettling imagery have connections to the work Peter Booth and Ken Unsworth. For me, the honest confronting raw and emotionally charged work by these artists, and the ways in which they delve into the complexities of human relationships and the struggles of the individual, has been an important influence. Much like Goya’s Black Paintings, the formidable scorpion figures in Booth’s works and the haunting black crows in Unsworth’s imagery have had a profound and enduring influence on my own artistic expression.
‘The Surrealists’ approach to nature, with their willingness to distort and to reflect the inner workings of the unconscious, has been a major source of inspiration for me. Their use of symbolism and dreamlike imagery has encouraged me to explore more abstract themes in my own work. In ‘Sparrow,’ I follow the Dali’s lead, blending realistic and dreamlike elements to explore themes of memory, growth, and the transformation. ‘Rosie,’ similarly, engages with nature, using the symbolic fusion of human and hare to represent our primal connection to the natural world. ‘Jill,’ however, diverges from this external focus, exploring the inner self which is distorted and manipulated by social media and societal pressures. While I am deeply indebted to these artists and their unique contributions to art history, my work is not simply an imitation of their styles or themes.
Instead, I strive to build upon their legacy, to engage in a continuing dialogue about what it means to be human in the 21st century. My paintings, including ‘Sparrow,’ ‘Jill,’ and ‘Rosie,’ reflect my own personal experiences and perspectives, as well as my observations about the world around me. I use the language of symbolism and dreamlike imagery, informed by the artists who have come before me, to explore the intersection of personal experience and broader social issues. Like Goya, who used his art to critique the injustices of his time, and the Surrealists, who explored the anxieties of the modern world, I hope that my art can offer new insights into the challenges and complexities of contemporary life. ‘Rosie,’ encourages us to re-evaluate our relationship with the natural world, while ‘Jill’ serves as a cautionary tale about the potential pitfalls of our increasingly digital existence.”

“Creating art has been a profound and lifelong passion. My art reflects a deeply personal connection with the subject matter, weaving together narratives that embody my unique sensitivity and playful creativity. My work aims to stir curiosity, evoke intimate connections, and invite viewers into a realm of personal exploration, perhaps even voyeurism. I deliberately blend traditional and experimental techniques, producing images that engages the senses and establishes an emotional dialogue with the audience. My goal is to create experiences that resonate deeply and leave lasting impressions.”

What is your creative process like?

“Regardless of the chosen medium I use, or whether my art the works are sculptures or paintings, I usually start my creative process with a theme in mind and try to imagine what a cohesive body of work might look like before I begin sketching to plan my composition to best resolve concepts. My sketches are a base for my ideas and an extension of my imagination. Once my idea or ideas are resolved, I meticulously prepare my workspace with tools and equipment before creating my art. It is a ritual I go through that helps me to center myself and mentally get into what I call, ‘the zone.’ This is essential to my creative process as it enables me to become emotionally connected when producing my art. Only then do I start creating. The whole process is very exciting and involves a lot of thinking and decision making. My work may go through a few changes before I feel satisfied the work is resolved. I have a lovely old leather chair in my studio which enables me to sit and think through ideas and immerse myself in the creative process. Every art piece is an emotional journey, sensitive and reflective.”

What is an artist’s role in society and how do you see that evolving?

“I see art evolving to not only comment on society, but also to spark conversations and offer fresh perspectives. As technology changes, I suspect the way we experience art will too. Regardless of technological influences and changes, I believe it is the role of the artist to stay connected role to people, honestly and emotionally; to reflect, share and help us understand each other better. What I offer through my art is the emotional connection. As an artist, I believe my role in society is to reflect, question, and challenge the world around us. I strive to give a voice to themes such as identity, reality, and the subconscious, not only comment on societal issues, but also to create spaces for reflection and dialogue. As technology advances and the boundaries between the physical and digital blur, I believe the role of art will continue to adapt to new forms and platforms while maintaining its core purpose of questioning, engaging, and connecting individuals on a deeper level.”

Have you had any noteworthy exhibitions you'd like to share?

“One of the most noteworthy exhibitions for me was my recent solo show, ‘Silent Symphony,’ at Artemisia Gallery in Australia. The turnout and positive reception were incredibly affirming, and it was especially meaningful to connect with fellow artists. Meeting others who share similar passions and values helped me find my ‘tribe,’ a community of like-minded individuals who inspire and support one another. It was a reminder that, as artists, we are never truly alone in our journeys. Prior to my exhibition, I was honoured to be accepted into the Mondial French Academy of Art. This experience was pivotal in pushing me to take a leap forward encouraging me to enter an international competition, which was both exciting and daunting. The exposure from both my solo exhibition and Mondial French Academy of Art, reaffirmed my direction and sense of confidence in my work. Art has always been a part of my life, though in many ways, I kept it private and insular. Now, I feel ready to share my work more openly with the world. Creating art is not just a passion for me; it's a way of life, and I feel incredibly blessed to have the opportunity to connect with others through my work. While the journey can often feel lonely, the experiences I’ve had meeting other artists, receiving feedback, and gaining new exposure have allowed me to grow both personally and professionally. Looking back, I’m proud of how far I’ve come. It has been a humbling experience, one that’s deepened my maturity and growth as an artist. I remain focused on creating and connecting, always thankful for the opportunity to do so while staying grounded in my purpose and passion.”

Website: www.monicacosta.myportfolio.com

Instagram: @monicacosta.art

Brush Bio: www.brush.bio/monicacosta