Interview

Written By Editorial Team

Maryna Gradnova

Maryna Gradnova is a London-based artist and costume designer whose work explores emotion, movement, and impermanence. Originally trained in Costume Design at Kyiv National University of Culture and Arts, she later earned a degree in French Language and Literature from Sorbonne University. Her background in visual storytelling deeply informs her artistic practice. Maryna has developed a distinctive approach she calls “Fieriness”- a dynamic ink-based style that captures raw intensity through expressive lines and fluid compositions. Her work balances precision with spontaneity, often exploring themes of transformation, fleeting moments, and the tension between chaos and control. In recent years, Maryna has increasingly focused on fine art, exhibiting internationally and expanding her artistic presence. Alongside her ink works, she continues to work across illustration, graphic design, and conceptual costume design, bridging multiple creative disciplines. As a BAFTA member, she remains at the forefront of visual storytelling, whether through the stage, screen, or canvas. Her pieces invite viewers into a world of motion and energy, where ink becomes a medium for both personal reflection and universal emotion. Through “Fieriness”, she continues to evolve her craft, capturing the transient beauty of life with bold, evocative expression.

What is your background and how did you start your journey in the art world?

“I come from a creative family - my grandfather was a set designer and artist - so art has always been part of my world. From childhood, I loved shaping my own reality through paint and materials. Creativity isn’t just a passion; it’s what keeps me grounded.”

What does your work aim to say? Does it comment on any current social or political issues?

“I am deeply concerned with environmental and social issues, particularly the state of our oceans and water. Through my ‘Fieriness’ style, I also explore human nature - its emotions, actions, and impermanence - capturing the raw energy of existence in constant motion.”

Do you plan your work in advance, or is it improvisation?

“It varies. Sometimes inspiration strikes, and I work nonstop, improvising without a set subject - it just flows. Other times, if I'm commissioned, I plan in advance, but strangely, that process often takes more time.”

“I am deeply concerned with environmental and social issues, particularly the state of our oceans and water.”

Are there any art world trends you are following?

“I wouldn’t say I follow trends, just as I don’t follow fashion. I focus on what I’m capable of creating and strive to stay honest in my work. If I can, I respond to environmental issues through my art. Ultimately, I aim to be myself and seek my own truth.”

What process, materials and techniques do you use to create your artwork?

“I have always been drawn to drawing inks - they're rich in color and full of intensity. Maybe it’s my graphic instincts, or perhaps I just love their fluidity. I also enjoy working with watercolours, embracing their softness to balance the boldness of ink.”

 What does your art mean to you?

“My art is my fifth language - beyond the four I speak, it’s how I communicate with the world. It’s my voice, my dialogue with the unseen, and I believe I have something to say.”

What’s your favourite artwork and why?

“It depends on my mood - my emotions are vivid, rich, and ever-changing, like the seasons. I appreciate a bit of everything, but I’m most drawn to water - the ocean’s power, grace, and mercifulness captivate me endlessly.”

Have you had any noteworthy exhibitions you'd like to share?

“I'm just beginning my journey into exhibitions, having spent 20 years focused on costume design. I've participated in some group shows, but I wouldn’t call myself accomplished yet - there’s so much more ahead. My goal is to be a full-time artist because that’s what truly makes me happy.”

 
Editorial Team
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