Interview

Sep 12

James Cowden

From an early age, James felt drawn towards art.

After working in the automotive industry for 45 years, James started using his acquired skills to make beautiful art sculptures for his home garden.

He felt that most commercial lamps are boring, and soon discovered that with his passion for sculpture and lighting, he could create some very unique, innovative and captivating light designs. He then made the decision to become a full-time artist before his life runs out.

All his works are either a one-off piece or a limited edition, all made to order.

What is your background and how did you start your journey in the art world?

“For most of the 45 years I worked as a motor mechanic, I was running my own business. I built up skills in metalwork while building high performance cars for myself and other people, making parts that didn’t exist. I’d always had a very strong appreciation for art and produced sculptures that I placed around the house, along with furniture and lighting. After some thought, I decided I wanted to create functional art, and having made lamps over the years, I decided to put a serious amount of effort into this.
In 2021, I made a promise to myself that I wouldn’t be swinging spanners after June 30, 2022. I closed down my business of 38 years and have spent 14 months getting to the point where I am now.
I have 3 gallery spaces and a studio workshop within my building, and now I’m getting my work out there to show what I’m doing.”

What does your work aim to say? Does it comment on any current social or political issues?

“I usually have an idea that I run with when working through the build process for each of my eclectic pieces. I like to keep things unsaid, leaving my art as objects of curiosity for the viewer to come to their own conclusions on the story behind the art. I don’t feel I have to give all the answers; I prefer to leave it up to the viewer.
I don’t feel the need to put political or social content in my work, nor do I feel the need to make profound statements or wave any sort of flag. Maybe at some later point I may feel the need to do so.”

Do you plan your work in advance, or is it improvisation?

“Yes, I plan my work. I’ll draw sketches over and over again, until I get to a point where I’m happy with the general design. By this point, I’ve all the finer points worked out. These include how it will look, how I’ll achieve that look in the construction, and how I’ll have access to electrical components later. All these issues must be considered.
When it comes to cladding some of my work, there’s usually room for some improvisation and spontaneity. But even here it’s not potluck—often there are things to consider.”

“My work has an industrial feel to it. I like the look, and if you do it right, it can be pretty sharp.”

What process, materials and techniques do you use to create your artwork?

“I’ve got a well-equipped shop with the equipment that allows me to process sheets of metal, a material I use a lot. The milling machine and the Lathe make it possible for me to machine most parts as I need them. I also have a waterjet cutter which has transformed how I work with glass. I’m just scratching the surface with its ability at the moment, but I have some great ideas in my head that I can’t wait to turn into reality.
As far as materials go, I work with most metals, but I do like aluminum. I love its color and the effects and textures I can produce on it. My other favorite is glass. I use mainly handmade, and the variety is large. It’s truly up to the imagination.”

What does your art mean to you?

“When I’m creating, I’m at peace and have zero stress. I love it when I feel it’s bang on with good design and the right colors. It makes me happy.
When I’ve sold pieces to clients, it’s satisfying to see the buzz they get.”