Interview
Adil Ghani
Educated at Universiti Technology MARA, Perak-based Adil Ghani is the creative powerhouse behind ceramic art brand RAAQUU, which was founded in 2020. Adil has a passion for Raku ceramics, a Japanese pottery style first developed in the 1580s that is characterised by the removal of a clay object from the kiln at the height of the firing, causing it to cool very rapidly. Raku ceramics are revered because of the unpredictability of the firing technique, which combines extreme heat and a reduction process that sees the new ceramic piece placed straight into combustible material, usually sawdust, which is then ignited, causing unique colours to coat the piece. Adil’s works have been showcased in exhibitions across Malaysia, and while he has applied his talents to a variety of pottery styles, it’s his Raku pieces, acclaimed for their rainbow patinas and metallic coatings created through this unique process, that have earned him a loyal following.
Inspired by nature, Adil taps into the natural world to create clay and grogged earthenware ceramics with mysterious, smoky features in a style that’s known as ‘painting with fire’. With more than 20 years experience, Adil’s elegant, awe-inspiring works include everything from unique ceramic art pieces to tableware, sculptures, home décor, and gifts.
What is your background and how did you start your journey in the art world?
“I grew up in Perak, Malaysia, where I was first introduced to traditional pottery, particularly Labu Sayong, a heritage craft known for its black carbonised vessels. This early exposure to ceramics laid the foundation for my journey. However, my desire to push boundaries led me to explore contemporary approaches. A pivotal moment came in 2007, when I had the opportunity to study porcelain technology in Japan through a state-sponsored training program. It was there that I encountered Raku firing, an unpredictable and mesmerizing technique that completely captivated me. Since then, I have dedicated my career to refining my unique interpretation of Raku, blending Malaysian tradition with contemporary innovation.”
What inspires you?
“I find inspiration in the connection between tradition and modernity, in the dialogue between past and present. Nature also plays a crucial role in my work. I am particularly drawn to organic patterns, unseen textures, and the way elements interact unpredictably, much like the Raku process itself. The unpredictability of fire, the transformation of clay, and the fusion of different artistic traditions inspire me every day.”
What themes do you pursue? Is there an underlying message in your work?
“My work often explores the relationship between resilience and fragility, tradition and innovation. I also incorporate Labu Sayong clay into my Raku work, creating a bridge between my Malaysian roots and my Japanese influences. Each piece I create tells a story, whether it’s about nature’s hidden beauty, the unpredictability of transformation, or the deep connections between cultures.”
How would you describe your work?
“My work is a fusion of tradition and experimentation. While Raku traditionally focuses on crackle patterns and subdued tones, I incorporate bold colours, modern forms, and copper powders to create striking finishes. It is a constant exploration of contrasts, between control and spontaneity, past and future, fragility and durability. Above all, my ceramics are about storytelling, about capturing the fleeting beauty of fire and clay in a tangible form.”
Which artists influence you most?
“My influences stem from both traditional and contemporary artists. The Japanese Raku masters, who perfected the technique over centuries, have been a great source of inspiration. At the same time, Western contemporary ceramicists who experiment with form, colour, and texture have influenced my approach. I also draw inspiration from local Malaysian artisans who have preserved traditional pottery-making methods, as their dedication to craftsmanship resonates deeply with me.”
“I find inspiration in the connection between tradition and modernity, in the dialogue between past and present. Nature also plays a crucial role in my work.”
What is your creative process like?
“My creative process is deeply rooted in experimentation. Raku firing, by its very nature, is unpredictable, each firing is an experience of discovery. I begin with clay preparation, often using Labu Sayong clay, shaping and texturing my pieces before bisque firing them. Then comes the most exciting part, the Raku firing itself. I introduce different elements, such as copper powders, into the firing process to create vibrant, dynamic finishes. I embrace the randomness of the technique, knowing that no two pieces will ever be the same. This constant exploration keeps my work fresh and evolving.”
What is an artist’s role in society and how do you see that evolving?
“An artist’s role is to challenge perceptions, preserve culture, and inspire innovation. Art connects people, it bridges histories, emotions, and ideas. As the world becomes more globalized, I believe artists play an even greater role in preserving and reinterpreting traditions, ensuring they remain relevant. For me, integrating Malaysian heritage with contemporary ceramic techniques is my way of contributing to this dialogue. I see the future of art as one that increasingly values cross-cultural exchange and embraces both tradition and experimentation.”
Have you had any noteworthy exhibitions you'd like to share?
“Over the years, I have had the privilege of showcasing my work both locally and internationally. One particularly memorable exhibition was a showcase of my Bone Series, where I explored the tension between structure and fragility. Seeing people interact with and interpret my work in different ways was incredibly rewarding. I have also exhibited pieces that highlight my fusion of Labu Sayong and Raku, which have been well received for their cultural and artistic significance. Each exhibition is an opportunity to share my journey, and I look forward to many more in the future.”
Website: www.raaquu.com
Instagram: @raaquuceramics
